Steeking: Bottoms Up!

A few blog posts ago I told you about my first encounter with steeking. That was a top down cardigan based on the recipes in Tin Can Knits’ Strange Brew book. In Strange Brew, they offer instructions for both top down and bottom up sweater knitting. Today I will tell you about the bottom up cardigan I made.

Gotta say, it feels a little weird writing this with everything that’s going on. I’m really trying to find ways to do things that feel “normal” in this very far from normal circumstance. I decided that this might be a good place to do that.

It was really fun to make the two little cardigans. When I started on the second sweater, things were just starting to get weird with the whole Covid-19 thing. As such, I didn’t take photos as I was knitting it. So unfortunately, I only have one lonely WIP photo to share. Sorry about that.

Bottoms up:

You start off knitting the sleeves up to the armpit. I knitted the sleeves on the short little circular needles that I usually use to knit socks. That worked really well although it was a little bit tight for the cast on and the first four or so rounds of ribbing. I just took my time and persevered and it was fine. The increases for the sleeve are done a little differently compared to the top down sweater. I assume that’s because if you choose to change the length of the sleeve overall, it would get too complicated to work around those changes. Simple is good. Because I was knitting for toddlers, I didn’t want to do any colourwork in the lower portion of the sleeves. It’s too easy for them to catch their little fingers in the floats when they put it on. That’s no fun for them. So I kept it really simple. Once the sleeves are knitted up to the armpit, you set them aside.

Next you start at the hem of the body of the sweater. I found that for some reason, the body ended up longer on the second sweater. Maybe the measurement is more accurate when you are knitting bottom up. Maybe I just measured wrong. There is definitely no doubt about where to start and stop your measurement when doing it from the bottom up. On the top down sweater, it can be tricky to determine where to measure from. I was sure that I measured the same amount for each. It’s possible that my tension was a little softer in the second one. That could account for it. I didn’t count rounds to determine how long to make the body; I used a tape measure.

Once the body is long enough, you join the sleeves to the body. You do a little shaping so that the back of the neck opening sits higher than the front. Next you begin the colour work and the decreases for the yoke. I took advantage of the orientation of the knit stitches to make a pattern with hearts in it on this one.

The yoke was straightforward until I got to the bind off.

I tried binding it off using three different methods. Because I make a lot of socks, it’s my default setting to do a stretchy bind-off. Don’t do that here. I ended up doing the least stretchy bind-off I know in order for the neckline to lay nicely.

I applied what I learned from the first project to doing the steek and it went very smoothly. The zipper went in easily and I’m very happy with the result.

The only thing I would do differently is to make the sleeves longer than suggested. The sweaters fit well. (The body lengths ended up being perfect for each grandchild respectively. YAY!) The sleeves could have been a little longer to allow for a some growth.

I had so much fun making these cardigans.

I’m glad that I started with small sizes. I still want to make one for myself out of sock weight yarn, eventually. I really want to be thoughtful about the colour choices and the pattern. I don’t want to rush into it. Especially if I’m going to use sock weight yarn for it! That’s a lot of knitting time to invest.

Moving forward, I have a couple of WIPs that I want to complete before I decide what large project I want to start next. I have a few ideas in mind. I have a couple more sweater technique books that I recently brought in to sell in the store and I might try one of those projects to see how I like those books. It’s always good for me to have a solid understanding of this type of book so I know whether they are worth the money and so I can offer support to customers who invest in them. They can be quite an investment. I ordered one that retails for around $100. I only brought in one to see whether it’s worth it. It’s a completely new all-in-one construction method that looks really exciting. The more carefully I read it, the more I think it will be worth every penny. I look forward to trying out one of the patterns to see how it goes. I’ll keep you posted.

On a side note: Ricasso — our shop cat — says “helloooooowwwwww”. With the physical distancing rules in place, it’s kinda lonely for him. (I’m sure y’all can relate!) The other night, we had to actually get him from the store (he has a cat door between the store and home so he can come and go as he pleases) and bring him home after 10pm because he was patiently waiting for customers to come and cuddle him.

Ricasso will be fine. LOL We’ll all get through this together, at a distance.

In the meantime, stay safe, stay healthy and stay creative!

Happy Knitting!

Adventures in Steeking!

I have been looking forward to learning how to steek. Steeking is a knitting technique in which you knit a sweater in the round, and then turn it into a cardigan. Yes, you have to cut your knitting to do it; yes that sounds terrifying; yes it’s pretty cool! My first dabble in this new endeavour is well underway and I’m excited to share what I learned so far.

My interest in steeking led me to a book by Canadian design company, Tin Can Knits. They put together a “recipe book” that breaks down sizes for top down and bottom up seamless yoked sweaters. Their charts include sizes from new born up to big-man sizes. But that’s not all! They give you stitch counts for Sock weight, DK and Aran yarns. Talk about an incredible value. It’s a gorgeous book in full colour. I purchased the book to try it out and I have them in my store now.

I started with a child sized cardigan in Aran weight.

I reasoned that if I missed things or misread things or straight up just messed up, it wouldn’t be such a big deal to frog it back and fix it. I decided to do one from the top down and one from the bottom up. I am not all that far along on the bottom up one so I’ll leave that off for today’s blog and catch up with you next time around. The long term goal is to make myself a couple cardigans, first one in DK and then one in Sock weight once I feel really comfortable with the method.

Now, the book gives very clear instructions on how to knit the sweater. Of course in my enthusiasm, I didn’t read very carefully and missed a few things. I ended up knitting to the point of preparing for the sleeves when I realized that I was short a whole bunch of stitches; I had looked at a smaller size for one of the increase rounds by mistake. Instead of immediately frogging it back, I just increased at the point where you divide to add the sleeves… yeah, don’t do that. It’s really important that you increase exactly as they lay it out in the pattern. I almost finished the sweater and realized that because my increase was below shoulder level, the slope of the shoulder would not comfortably fit a human. (I was blissfully in denial up until then… sigh.) I did frog it right back to where I had made that initial mistake and reworked it.

I used a variety of needles in this endeavour.

I cast on the neck onto a 40cm fixed circular. (I used Knitter’s Pride Dreamz for the whole project.) I switched to an interchangeable with a 60cm cord when it started to feel really squishy on the 40cm. I started the sleeves on 40cm’s and then switched to 25cm fixed circulars once the decreases made it so the stitches were being stretched on the 40. This worked very well for me.

Strange Brew doesn’t give a lot of information on the specifics of steeking. They suggest some online videos as reference. They talk about holding stitches sacred at the centre front of the sweater as you knit, to preserve them for the steek. I had stitch markers on either side of those stitches. I did find that there were times when I struggled to wrap my head around how to do the increases and still keep those 5 stitches sacred between my markers. It was worth the time and effort to carefully plot out how to do that. Keeping those stitches isolated means a straightforward process once you actually do the steek. The benefit is that you can hide all sorts of things in that steek column. Starting a new ball of yarn? Add it in the middle of the steek. I started my new rounds in the middle of the steek to avoid having a jog in the colourwork.

Sadly, I was impatient. I had watched some steeking videos a couple years back and relied on my memory. Again, being impatient, I just flew at it. I stitched up on either side of the steeked stitches with my sewing machine… rather recklessly began cutting and then realized that I was cutting a stitch width too far to one side. Oops! I repaired that and did another row of machine stitching closer to the centre where I needed to cut. I cut it the rest of the way and that went well.

Then, I figured I’d use my serger to finish the edges. Bad idea. It stretched the edge so far out of shape that I had a whole new challenge to work with. I continued my “bull in a china shop” approach and threw a zipper in it, sat back and immediately felt disgusted with myself. After a few days of timeout, I picked it out and started over.

I cut 2 pieces of wide bias binding to about an inch longer than the finished size of my zipper. I stitched the ends inside out to create clean finished ends. I then carefully aligned it to the edge of the vertical column of stitches on either side of the opening (with the bias open; but stitching at the folded outer edge of it). Once that was done, I carefully contained the edge stitches inside the bias and pinned it on the inside of the cardigan. I stitched that with the sewing machine. Once I had the first side complete, I aligned the second piece of binding on the other front. Being careful to align the colourwork pattern to match the completed side, I pinned it and stitched it in place finishing it as I did on the first side.

I aligned the zipper with the knitted stitches beside the bias binding and installed it using the sewing machine. I then hand stitched the binding to the inside of the cardigan. Although my colourwork didn’t line up exactly, it was close enough that I came away feeling proud of my first steeking attempt.

I encourage you to tackle a new technique that kinda scares you. It feels so good!

Happy knitting!

Keeping it Local

Today, I want to tell you about a local designer. Her name is Jasmine, and she’s the maker and designer behind Ocean Peak Designs (formerly Kicheko Designs). She opened her Etsy store to sell handmade items quite a few years ago, and has really poured herself into her business over the past couple of years.

“I saw it as a great opportunity to be able to work from home, while raising my two young children, who are 2 and 4.”


I asked Jasmine about how she got
started on this road to design

“This journey as a maker has really evolved a lot over the past couple of years. 2019 was my first proper market season, and I was so surprised and excited at the success of those. I’ve always LOVED trying new patterns, pairing those with the perfect yarn, choosing colours and combinations, learning new techniques and stitches, and combining all of that together in to the art of crochet.”


I asked her how she evolved from making
market items to pattern testing

“I’ve loved making finished products to sell, but when I discovered pattern testing, it was a new avenue to challenge myself and continue to learn. I can clearly remember my first ever pattern test. Honestly, initially I was motivated because it meant I got a free pattern. Being quite active on Instagram, I was able to connect and follow some incredible designers. These designers would put out pattern tester calls for their up and coming patterns, and I figured I’d give it a shot. I’d never crocheted a cardigan before, but I applied to test it, and to my absolute delight, I was chosen. It was such a fun experience, and have since fallen in love with pattern testing. I’ve done countless pattern tests now, and have taken away so much from each one.”

“To pattern test is a lot of work. You’re not just making an item for pleasure – you’re grammar checking, spell checking, checking stitch counts, critiquing the flow and usability of the pattern, writing notes and relaying them to the designer, you’re taking photos in good lighting and highlighting the designer’s pattern, you’re chatting with other testers, you’re modelling the item, checking the fit, investing in yarn for it, checking gauge and doing swatches, measuring as you go and measuring once it is complete. It’s quite a full on process, but having a pattern tested really insures the best possible outcome. While it’s a lot of work to test, I really love it. I joked over the winter, that if I could be paid to pattern test, I would. It’s such a challenge and it’s so fun working with other people and designers. I’ve met some incredible people through this process, and feel constantly challenged creatively.”


Clearly, the experience of pattern testing
was an inspiring one for Jasmine

“In the fall of 2019, it started getting to the point where I would find myself envisioning what I wanted to create. I personally never thought I’d end up designing anything. I was so happy to test and purchase patterns, because wow, are there ever talented and creative people out there. I would spend hours searching Ravelry, Etsy and Instagram for patterns that caught my eye, or were what I was envisioning. The designing happened when I couldn’t find what I was exactly what I was looking for.”

“I’d sit down with my trusty old notepad, and write everything down as I was crocheting. The whole process of creating was so invigorating. In the midst of market season where I was preparing and making the same thing (sometimes over and over), it was so freeing to be able to have another avenue for creativity. It was really essential, so that I continued to love what I do, and I didn’t get lost in the production of market season.”

“Since the new year, I’ve released 2 hat patterns. I have another pattern being tested right now, and have been so blessed to collaborate with an incredibly talented indie yarn dyer, with that pattern set to release in March. I also have a few other designs that will come to life pretty soon.”

“To start pattern designing was actually incredibly daunting. I had so many questions, and it felt like such a big scary world. The fears were real – would anyone even want my pattern? Would I accidentally copy others? Would others copy me (oh how heartbreaking)? I mean the list goes on and on. But thanks to friends who are currently designing, and an incredible community online, I’ve been able to push through and just do it, while asking for much needed direction and help. I can say that with each pattern that has been designed, tested and released, it really has gotten easier. I’m continually growing and changing as a maker, and discovering what I really love to do. This is my journey at the moment, and I think if you have ever made something without a pattern, then you’re a designer too.”


You can find Jasmine’s handmade items on

oceanpeakdesigns.ca | Etsy

Or catch them in person at The Trading Post and The Wax Bench; both retailers are located in the downtown core of Revelstoke, BC.

Jasmine’s crochet patterns are available on Ravelry

I love seeing people’s creativity shine! I encourage you to check out what Jasmine has to offer.

Happy Creating!

Review: ChiaoGoo part 2 and a Slouchy Colour Story too!

Have you ever stood by a wall of hand dyed skeins of yarn and found yourself staring at one skein, thinking “Wow, that’s kinda ugly.” I probably shouldn’t be admitting this, but that’s how I felt about one of the Estelle Colour Story colourways when they first arrived in my store. And you know when your parents told you not to judge a book by its cover? Yeah… I’m going to talk about that today.

And, as promised, here is part two of my ChiaoGoo review!

So let’s start with the ChiaoGoo premium stainless steel 40cm x 2.5mm circular knitting needles. I was very excited to try these out. I allowed myself a little extra time for this one because I wanted to knit a toque with sock weight yarn on this needle. I used the Sockhead Slouch hat pattern by Kelly McClure, downloaded free on revelry. The yarn is Estelle Colour Story in Bubblegum.

I cast on 160 stitches since I was using a finer needle than recommended in the pattern. I wanted something denser than the suggested gauge. I’m not accustomed to working with bent circular needle tips, so it did feel a little strange at first. The cast on was fine, nothing out of the ordinary. I found the nylon coated cord a little grabby when I was sliding the cast on along it. Joining in the round was a little awkward and I found myself fighting with the reach a little bit. However, knowing that the first few rounds are typically awkward, I persisted and tried to reserve judgment. By about round four the resistance from the needle stopped and it felt good. I did find that I had to stop frequently to move the stitches out of the way on the cord on the right hand side. If I were competing, this would bother me. That bit of resistance from the slightly grabby cord is not necessarily a bad thing. Your work is not going to slide off when you don’t want it to. With a larger gauge needle this would be a non issue.

Once I got accustomed to them, I liked the fact that these needle tips are on the longer side for this short of a circular.

It gives you something to anchor your hand to as you knit. For some people this can minimize fatigue. It didn’t take long until I stopped being aware of the bend in the tips. The tips are nice and sharp; this wasn’t really an issue for this yarn or the pattern. I personally like them this way; I feel like it gives me better control. Also, I usually grab a handful of the left hand stitches and slide them along the needle to progress my work. I don’t typically use my fingertip to push the needle further into the left hand stitches to do so. Therefore, a sharp tip doesn’t give me a sore finger as it does for other knitters.

I really enjoyed this needle.

I typically knit a lot of socks, so I am happy using fine needle and yarn gauges. I love that the work slides effortlessly over the junction between the needle and the cord. Catching stitches on a dying junction point is something that irritates me when my needles begin to show their wear. It will be interesting to see how the junction stands up over the long haul. I definitely recommend this line of needles. They are pretty darn fabulous. I probably wouldn’t use them for all my knitting, but I will definitely be using them in my complex fine gauge pattern work.

So, on to the pattern and the yarn.

Sockhead Slouch Hat by Kelly McClure of Boho Knits was my pattern of choice for this test. I wanted an easy, straightforward hat pattern in sock weight yarn. The pattern was super easy to follow. I’m not a huge fan of the slouchy hat, so I didn’t make it as long as the pattern suggested. I love that there was a quick start pattern option with very brief instructions for those impatient experienced knitters who want to just get down to it. It’s a great basic pattern. Kudos to whoever formatted the pattern. Nice job! If you have a gorgeous skein of hand dyed sock yarn that you can’t bear to make into socks because no one will get to see how pretty the yarn is, this is a great alternative to knitting it into yet another shawl. Top marks here. I used finer needles because I wanted a nice dense fabric. So I did modify it a little. I’m very happy with the outcome. Kelly has a whole bunch of patterns to offer and you can find them here.

And on to the yarn…

Okay so I confess I can be a little judgy when it comes to colourways. The truth is that we don’t all like the same things and that is not just okay, it’s a wonderful thing. I know what I like. That having been said… yeah… the book-cover thing I mentioned earlier. So, the yarn I chose for this project is Estelle Colour Story in the Bubblegum colourway. This hand painted sock weight yarn originates in Peru. I specifically chose to knit this colourway because I was feeling bad that I desperately wanted it to prove me wrong. It was the one I stared at, thinking it was ugly. I SO wanted it to prove me wrong. And I’m delighted to I tell you, it did. I’m so happy that I tried this yarn.

The Estelle Colour Story yarns do just that. They tell a story.

This one took me back to my childhood in a delightful and unexpected way. It reminded me of Bubble-Yum, Bubblelicious, Double-Bubble and more! Oh my, as every colour showed its little piece of personality I couldn’t help smiling. Every colour of every bubblegum I ever chewed as a kid was represented. Score! Happiness meter: maxed out! My inner child was seriously satisfied by this yarn. (Go ahead and laugh, but I suspect you know exactly what I mean.) And my conscience is now clear! 😀

I hope you’ll take a look at Kelly’s designs and see what she has to offer.

Hey, I love a free download, but I also respect the amount of work in getting a design from inside your head into pattern form. So, shout out to Kelly at Boho Knits! If you’re looking for a great needle in these shorter lengths, I do recommend what ChiaoGoo has to offer. And finally, in all humility, here’s a shout-out to the yarns that look better knitted up than on the skein. You just never know…

Happy Knitting!

Two Knitting Reviews in One

This winter I brought in Estelle Superwash Merino DK; it’s here in all of the 25 currently available colours. My goal — when bringing in an entire line — is to make up a sample project so people can see how it works up. This time I made up a Sople cardigan and I’m excited to tell you all about both.

The yarn

Estelle Superwash Merino DK currently comes in 25 colours, in 50g balls with 125m. This very soft and smooth yarn is perfect to knit stranded colourwork sweaters. You don’t have to commit to 100g balls of each colour for just that bit you need along the yoke and cuffs. The suggested gauge is 22 stitches on 4mm needles over 10cm.

It was a joy to knit. I was able to see my stitches easily. The texture of the yarn looks a little cable-like as you are knitting it up. I found that was less noticeable once I washed it. As with most superwash yarn, I found that I had to be careful not to stretch it while blocking. It washed beautifully; came out soft and gorgeous. It did end up a wee bit bigger after it dried. (I plan to knit up a little swatch, measure it, run it through the laundry and see how it fares before I risk putting the sweater in the dryer.) There was almost no colour in the rinse water at all.

The pattern

I knitted up Sople by Justyna Lorkowska. I purchased and downloaded it from Ravelry. You may recall me writing about her pattern “Alicia Beth” about a year ago (that project is in time-out because I changed my mind about the colours and need to make a decision). This great little Sople sweater is fitted, with 3/4 sleeves and all-in-one, top-down construction. Although mostly stockinette, there is enough pattern to keep from getting bored. Since I don’t speak Polish, I had no sense of what might have inspired this design. It looked like calla lilies or maybe candles to me. Turns out Sople translates to “icicles”.

This may come across as a bit of a rant. Bear with me, please.

There are so many badly written patterns in this world. I see customers who get stuck because of either poorly written or poorly translated instructions. I spend a lot of time going over such patterns with them to help them to continue. It is exceedingly frustrating when patterns are difficult to follow, have poor (or worse, no) legend or glossary and are just confusing. I often wonder whether some designers are so highly skilled and capable that they forget that not everyone knows what they know, or can do what they do. Let’s face it. We knit (or crochet or sew or whatever) because it brings us pleasure. A poor pattern can take all the joy out of a project. Now, in all fairness, there is always a little bit of a process to familiarize yourself with a designer’s particular way of explaining things. But that aside, when you find a really good designer, it is such a wonderful thing.

Forgive me if I gush here. Justyna is an excellent designer and I don’t know whether she writes the patterns herself or has a team to help her. Whatever she’s doing though, she does it well. Obviously, I worked off the English pattern that was a translation… an excellent translation! My hat’s off to whoever made that happen. My only criticism was that because the PDF paper size was European and simply would not shrink to our North American letter size for me. I had to I open it in Adobe Acrobat Pro, resize and save it as a new PDF before I could print on letter sized paper. I like to have one copy on my tablet in Knit Companion, and a printed paper copy that I can scribble notes on. (I did message her and mention the page size issue). And hey, if that’s seriously the worst criticism, that is a fantastic pattern.

The sweater is constructed in one piece from the top down.

You start with a provisional cast on; knit the fronts first to the armpit, then the back down to the same point, put all the stitches from fronts and backs onto one long circular needle (don’t twist a front, like I did though) and complete the body. You pick up stitches for the sleeves as you go and knit them directly into the sleeve opening. It’s a pretty clever construction method. I love me a seamless sweater!

The front gets a button band; I chose to add 8 buttons on mine because I liked the look of it. The neck is finished with an I-band edge. There is a lovely pattern knitted into the fabric as I mentioned above. I did get a little complacent when I was knitting the second sleeve and I missed the point where you start the icicle above the cuff. I had to frog it back and rework it. That was on me though. I just got lazy and tried to go by my memory instead of checking the pattern. I used a stretchy bind off and I would use that again, except for the bases of the cables, those I would use a regular bind off to keep them from going twiddly.

Clearly the construction method is not typical.

I would encourage anyone working this pattern to take the time to read through the entire pattern a few times before starting. I think I read it three times. I generally find that I need to do that with this sort of unique pattern to wrap my brain around what to expect. That having been said, you may not immediately understand how it will all come together and you do (at some point) simply have to trust the pattern. You can trust this pattern though.

I adore the way this sweater fits me and before I completely forget what my notes mean, I plan to tidy up my pattern scribbles so that I could potentially use the pattern again, and perhaps do the whole thing in stockinette. I’m stoked with my new cardigan! I apologize that I don’t have any photos of me wearing it. No selfies here. I’m not photogenic and I’m quite self conscious about that. Maybe I’ll add some later when I have someone who can take a nice photo for me. 😀

Meanwhile… Happy Knitting!

Social Saturdays are Back!

The season to curl up with your favourite fibre art projects is back. YAY! Since the frost hit, I’ve had many people asking when we would be starting up our Social Saturdays Stitching Circle. As of this weekend (November 30, 2019) we’ll be back at it.

If you are new to Revelstoke, or if you are just visiting and you aren’t familiar with Social Saturdays, here’s the scoop.

Social Saturday is a free, drop in group that meets every Saturday throughout the winter months (until around the middle of April) at Judy’s Designs at #103 – 217 Victoria Rd. East in Revelstoke, BC.

Feel free to bring any portable fibre arts related project. It could be anything from cross stitch or embroidery to knitting, crochet, needle felting or needle punching, hand quilting, you name it. We will have the coffee on and a kettle nearby if you prefer to drink tea.

These are not classes, just gathering opportunities so you can hang out with other fibre enthusiasts and spend some social time while making some progress on your projects. (If you are looking for actual instruction, pop in and ask Judy about signing up. There will be classes offered in January, 2020.) However, if you have hit a bit of a snag and you need some fresh eyes to help you figure out how to continue on, we’re happy to help you. Judy is experience in most fibre arts and can usually help you if you are stuck and need some help.

Social Saturdays start at 10:30 am and run to 3:00 pm on all Saturdays that Judy’s Designs is open. (We close on the Saturdays of long weekends and between Christmas Eve and New Year’s.) You don’t have to call ahead and you don’t have to hang out all day. Pop in for the day or for an hour, whatever works for you. We’ll be happy to see you.

Hope to see you!

November Knitting Classes

Growing a business takes time, energy and a lot of hard work. It’s been five years now that Judy’s Designs has had a brick and mortar store front in Revelstoke, BC. Isn’t it funny how it can feel like something only started yesterday and yet feel like it has always been at the same time? It’s been pretty hectic since I got back from Germany. Our new expanded and renovated section is open and all the new product is out on display. The cold weather has prompted a whole lot of sewing jobs to come in the door and life is good.

Despite being down for a while with pneumonia, I’m on the mend now and feeling so much better. I’m still working on getting my energy level back up to normal but it improves every day, a little bit. Now that all the new stuff is out on the shelves and racks, and the anniversary celebrations are over there’s a sense of routine returning (for which I’m very grateful). I hired new staff to help out with the “front counter” work to take some of the pressure off me.

I had hoped to have a schedule of classes up by the beginning of October, but falling ill put a monkey-wrench into that plan. With staff in place, I will be freed up to offer classes. Originally, I planned to do an 8-class beginner workshop, but I have decided instead to offer those concepts as individual stand-alone classes. I’ll see how it goes and maybe in the future I’ll do it differently. But for this season, I will set it up as separate classes for each technique that I will be covering. Depending on how quickly the attending students pick up, I will adjust the amount of information to accommodate what they need and are up for.

In November I will focus on Knitting Technique. All classes require advance registration. Classes will be an hour and a half long. Fees will be $25 per class per person plus any materials required and taxes. Minimum of 4 students per class, maximum of 6. Class times 10:00am to 11:30am and/or 6:30pm to 8:00pm. This will be determined by what fits best with each group that has registered.

So here’s what I am offering:

Wednesday, November 13th
Knitting Basics: Casting On (Beginner) Non-stretchy and stretchy methods.

Thursday November 14th
Knitting Basics – The Knit and Purl stitches. I will demonstrate both continental and English techniques. (Beginner)

Friday November 15th
Knitting Basics: Knitting in the Round – (Demonstration will include: DPN’s; Magic Loop; 2 circs; 1 circ). You’ll begin knitting a hat.

Wednesday November 20th
Knitting Technique Builders: The Art of the Decrease. I’ll cover as many techniques as possible in the time allotted. There are a lot of methods.

Thursday November 21
Knitting Technique Builders: The Art of the Increase. I’ll cover as many techniques as possible in the time allotted. There are a lot of methods.

Friday November 22
Knitting Basics: Binding off. I’ll cover both stretchy and non-stretchy methods.

Wednesday November 27th
Knitting Basics: How to Read Patterns. This will focus on how to approach different styles of written patterns, what to look for and pitfalls to watch out for.

Thursday November 28th
Knitting Basics: Chart Reading (Cowl Project) Learn how to read a chart within a pattern for flat knitting.

Friday November 29th
Knitting Basics: How to Read Patterns: Chart reading (Hat Project). Learn to read a chart within a pattern for knitting in the round.

The reality is that December gets exceedingly hectic for most people. I don’t plan to run any classes in December. If there is enough interest, I may run a needle felting class between Christmas and New Year’s. I will definitely need to have people let me know if they want to commit to that as I would be bringing someone in to run that class for me.

I’ll get a schedule up for classes for January, February and March. Included in those will be 4-session workshops both on Toe-up Sock knitting and Mitten knitting. Stay tuned for details on those. Embroidery basics, crochet and other fibre arts classes will begin in January. I will have sign up sheets available November 1st. Be sure to get signed up as soon as possible. What I offer will depend on whether I have enough interest. It takes a great deal of effort to organize a class and I have a lot going on. I don’t want to spend a whole bunch of time setting something up if there isn’t enough interest to justify it.

I’m excited about this! Come on out and build your skills!